Free Jazz – shackdesigns

- Bluman -

Bluman

Deep in the mosaic that’s my mind

A Bluman lives and yearns to be free

So in the recesses where I keep him

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He is the deepest part of me

If in a bad mood I tend to be

He pushes cheer, then I can be me

Bluman always of my thoughts

Stay with me till the end

With you I am never alone

Living life without a friend

words by Penelope Gamble

In All Languages the sound of love can be as silent as a butterfly landing on the grass or the movement of the sunflower bending in the sun. Love can be as brilliant as a glare off of a plane’s wing way up in the sky or blinding as the sun on the soft winter snow.

Love stretches, bends, endures and connects our souls beyond measure.

We must Love.

Love is a feeling…

We are all connected in a movement dance.

I listened to the tracks over and over from Sound Museum -Three Women and In All Languages after meeting Ornette Coleman many years ago. As a result of his reissue of his material through Verve, he wanted to create a label logo for Harmolodic. At Milestone Media (DC Comics Imprint) the publisher of Comics and Media Services in NYC, Joe Daniello and myself designed the logo for HARMOLODIC.
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Mask III

This painting is the first in a series that combines my love of color with my passion for African themes, textiles and the beginning of futurism in my work.

In All Languages is a 1987 double album by Ornette Coleman. Coleman and the other members of his 1950s quartet, trumpeter Don Cherry, bassist Charlie Haden, and drummer Billy Higgins, performed on one of the two records, while his electrified ensemble, Prime Time, performed on the other. Many of the songs on In All Languages had two renditions, one by each group.

The double album was originally released by Caravan of Dreams, who also issued the title as a single cassette or compact disc. Coleman’s record label, Harmolodic, re-issued In All Languages in 1997 through a then-current distribution deal with Verve Records.

All compositions by Ornette Coleman, Phrase Text Music, ASCAP